The collection of digitalised documents
Discover the digitalised documents of the Collection.
Typewritten record of the work by Simone di Filippo, known as dei Crocifissi, Triptych with Crucifixion and Stories from the Life of Christ, 1395-1399; 2ff.
Typewritten letter with envelope, on ‘G. F. L.’ headed paper, signed ‘Gianfranco’, written by Gianfranco Luzzetti to Annalisa Polesello Ferrari, with a brief account of the successful restoration of the triptych by Giovanni Fei from 1395-1405 C. Dated 4 December 1998, 2ff.
Photostatic copies of Charles de Tolnay, "Editorial. The early Reanaissance in Tuscany", in Burlington Magazine, no. 744, volume CVII, March 1965, pp. 109-110; repr. fig. 56 of Bernardo Daddi, Nativity, 1330-1335; 3ff.
Typewritten report on headed paper ‘NICOLA RESTAURI s.r.l. [...]’ with attached photostatic images showing the state of restoration of the work by Gherardo Starnina, Madonna of Humility, 1401-1402; n.d.; 8ff.
Photostatic copies from the exhibition catalogue “Arte Lombarda dai Visconti agli Sforza. Milan at the Centre of Europe”, Palazzo Reale, Milan, 12 March - 28 June 2015, with bibliographical references (p. 79) and reproductions of works by Ambrogio da Fossano, known as Bergognone, Saint Sebastian and Saint Roch, 1488-1489, (Tables 140-141), 5ff.
Handwritten and autograph letter from Bruno Scardeoni to Federico Cerruti, with expertise by Bruno Scardeoni on the work by Domenico Zampieri, known as Domenichino, Holy Family with the Infant St John the Baptist, 1605. Dated Lugano, March 1995; 1f.
Handwritten and autograph letter on letterhead ‘Dr. D. Stephen Pepper’, from Stephen Pepper to Federico Cerruti and Annalisa Polesello Ferrari; reference to the historical-critical text for the work by Domenico Zampieri, known as Domenichino, Holy Family with the Infant St John the Baptist, 1605.
Handwritten and autograph letter on letterhead ‘Dr. D. Stephen Pepper’, from Stephen Pepper to Federico Cerruti and Annalisa Polesello Ferrari; request for the loan of the work by Domenico Zampieri known as Domenichino, Holy Family with the Infant St John the Baptist, 1605, for the exhibition “Intorno a Domenichino”, Rome, Musei Capitolini, 7 November 1996-19 January 1997. Dated, Rome, 04 October 1996; 1f.
Typewritten letter, handwritten by Eugenio La Rocca and Maria Elisa Tittoni, to Federico Cerruti, requesting the loan of the work by Domenico Zampieri known as Domenichino, Holy Family with the Infant St John the Baptist, 1605, for the exhibition “Intorno a Domenichino”, Rome, Musei Capitolini, 7 November 1996-19 January 1997; attached loan form. S.D., 4ff.
Typewritten invoice for customs services, on headed paper ‘Ferrari & Lorenzi s.a.s.’ bearing a customs bill for the import of the work by Domenico Zampieri, known as Domenichino, Holy Family with the Infant St John the Baptist, 1605; n.d.; 1f.
Document on headed paper ‘Ministero per i Beni Culturali e Ambinetali - ufficio esportazione di Genova’ with declaration of temporary import of the work by Domenico Zampieri, known as Domenichino, Holy Family with the Infant St John the Baptist, 1605. Hand-signed by Federico Cerruti (importer) and by the delegated official (illegible signature); dated 3 January 1996; 1f.
Typewritten letter on headed paper ‘Luzzetti - Antiquities [...]’ and hand-signed ‘Gianfranco’, to Annalisa Ferrari. Dated 22 November 1984; 1f.
Typewritten letter from Federico Zeri to Federico Cerruti with expertise of the work by Orazio Gentileschi, Annunciation, first half of the 17th century. Letter dated 3 June 1976; hand-signed by Federico Zeri; 1f.
Typewritten letter on letterhead ‘Accademia Clementina [...]’, hand-signed by Andrea Emiliani to Dr. Sergio Corbello with expertise of the work by Federico Barocci, Portrait of a Man, 1590-1600.
Typewritten letter on headed paper ‘Accademia Clementina [...]’, hand-signed by Andrea Emiliani to Umberto Allemandi with expertise of the work by Federico Barocci, Portrait of a Man, 1590-1600. Dated, Bologna, 27 March 2007; 1f.
Typewritten letter from Nicholas Turner to Pierre Etienne with expertise of Federico Barocci's work, Portrait of a Man, 1590-1600. Dated 17 April 2007; 1f.