Conferences
New conferences on ‘Journals of Physics and Metaphysics’
16.10.2025 - 17.12.2025
The Fondazione Francesco Federico Cerruti per l'Arte, in collaboration with Castello di Rivoli Museo d'Arte Contemporanea, presents the new cycle of lectures dedicated to the first three issues of the ‘Journals of Physics and Metaphysics’, an in-depth magazine published by Allemandi that explores themes related to the Cerruti Collection.
October 16, 2025, 5.30pm
Biblioteca Fondazione Federico Zeri, Bologna.
The collection as a symbolic and anthropological form, a lecture on the themes of the second Journal, Morality of the Collection, with contributions from Head of Collection, Programme and Strategy of Fondazione Cerruti Francesca Bertolotti-Bailey, critic and essayist Andrea Cortellessa, curator Roberto Pinto, collector Enea Righi and writer Alessandra Sarchi.
November 1, 2025, 2.00pm
Theatre, Castello di Rivoli Museo d’Arte Contemporanea.
The Shape of Italy, presentation of the third issue of the Journals on the occasion of the Art Week in Turin, with Andrea Cortellessa, the art historian Giorgio Di Domenico, the artist Alessandra Ferrini and the Head of Collection, Programme and Strategy of Fondazione Cerruti Francesca Bertolotti-Bailey.
December 17, 2025, 6.30pm
Museo Bagatti Valsecchi, Milan.
Morality of the Collection, a lecture on the themes of the second Journal, with Marco Belpoliti and artist Flavio Favelli in conversation with Andrea Cortellessa.
JOURNALS OF PHYSICS AND METAPHYSICS
The Magazine of the Collection. The Collection as a Workshop for Thought
The Journals of Physics and Metaphysics are an in-depth magazine published by Allemandi, dedicated to themes related to the Cerruti Collection. The first three issues are edited by critic and essayist Andrea Cortellessa, who also conceived the title and its dual approach. Each issue of the Quaderni addresses a specific theme from two perspectives: “physics”, in the sense of scientific, philological and historical analysis of the works, and “metaphysics”, in the sense of philosophical and narrative reflection.
The title of the series pays homage to Giorgio de Chirico, one of Cerruti’s favourite artists, ten of whose paintings are preserved in the Collection.
The first two Journals are: Alchemies of Colour (November 2024), an analysis of pigments in manuscripts and incunabula from the Collection, with essays by art historians and chemists, an unpublished short story by Tiziano Scarpa and a contribution by artist Mark Leckey; Morale of the Collection (May 2025), which investigates the phenomenology of the contemporary collector with texts by Michele Mari, Giuseppe Garrera, Elio Grazioli, Marco Vallora and a contribution by artist Gala Porras-Kim.
The third issue, The Shape of Italy, to be released in November 2025, on the occasion of Artissima, addresses the topic from different perspectives, including essays by Raffaele Bedarida and Stefano Chiodi, an unpublished short story by Helena Janeczek and a contribution by artist Alessandra Ferrini.
The Journals are accompanied by a series of conferences aimed at presenting and exploring the themes covered in the volumes.
The next conference will be on Thursday 16 October at the Federico Zeri Foundation Library in Bologna and will analyse the theme of the collection as a symbolic and anthropological form, taking its cue from the second issue of the journals, Morale of the Collection. Speakers will include Head of Collection, Programme and Strategy of Fondazione Cerruti Francesca Bertolotti-Bailey, critic and essayist Andrea Cortellessa, curator Roberto Pinto, collector Enea Righi, and writer Alessandra Sarchi.
Following this, on 1 November at the Teatro del Castello in Rivoli, there will be a conversation with Andrea Cortellessa, artist Alessandra Ferrini, art historian Giorgio Di Domenico and Cerruti Foundation's Francesca Bertolotti-Bailey for the launch of the third issue of the journal entitled The Shape of Italy.
On Wednesday 17 December, the Bagatti Valsecchi Museum in Milan will host a new conference dedicated to the Morale of the Collection with contributions by essayist Marco Belpoliti and artist Flavio Favelli in conversation with Andrea Cortellessa.
